Jakeshoredrive is an upcoming tech and deep house DJ who is quickly rising to stardom throughout Chicago. Known for his high-energy, feel-good sets, the 28-year-old DJ knows how to throw a party. Whether it’s offering direct support to artists such as Don Diablo and Da Baby or DJing parties in the Hamptons, Jakeshoredrive knows how to electrify any crowd.

As the 2021 season kicks off, Jakeshoredrive is already making big moves. He just released a massive g -house track called Scandal along with new tour dates in Nashville this June.

The daily Frequency caught up with Jakeshoredrive to discuss the scene in Chicago, musical influences, and more!


Check out the full interview below!

How did you get into producing music, and when did you decide this was something you wanted to pursue professionally?

I have been producing music for 1.5 years. It all started with a vision I kept having every time I’d close my eyes. I kept seeing myself in front of thousands of people rocking to my music. I looked at where I’ve been and what I’ve done up until that point and knew I had to evolve from DJ to artist if I wanted to live out that vision. Then the process began.

Everyone has that one song that got them into electronic music. For me, it was Kaleidoscope by Tiesto. What was yours?

Wow, this is a great question. For me, it’d have to be Loca People from Sak Noel and Cry Just a Little (Kids at the Bar Bootleg)-Bingo Players …shout out Red Lion (U of I)

You are a house DJ from Chicago, which is widely known as the Birthplace of house. What impact has your city had on your musical taste?

It’s EVERYTHING. I consistently ask myself, can I play this in Chicago? Or how can I sprinkle some Chicago flavor into this track? Many great artists have paved the way for me to make music from this city, and I always want to do right by them by putting something with soul, swing, grit, and groove out there. I was blessed to actually grow up in the city, where I was thrust into a melting pot of different cultures, ethnicities, and musical tastes. It’s given me the ability to sample from and get inspired by a wide range of music from hip-hop, juke, latin/reggaeton, R&B, and beyond.

Although you define yourself as a house DJ, it is clear your sound has a lot of influences from other genres. How important is versatility when it comes to production?

I take pride in pushing the limits within house music. I believe it’s so necessary when you want to stand out or try to be different. Blending in other genres is just the DJ in me. It’s what I do in my live sets. I’m very intentional with it because it makes your music that much more marketable and familiar when people hear a melody, vocal chop, or sound they already love.

You’ve been putting in work this past year, releasing a bunch of new music. How were you able to stay motivated in such trying times?

In such trying times, I found the silver lining! For me, the silver lining was all a sudden, I have all this TIME since my day job was severely relaxed back to very minimal work. I looked at it as a blessing. Obviously, there was a lot to worry about and be cautious with the realities of COVID, but I’ve never been one to waste time when given it. I also looked at it as, ok, I’m not DJing, so how can I stay relevant, and the only way was to release music and push content.

You basically live a double life being an elementary school teacher for seven years now. How are you able to juggle teaching and producing music at such a high level? Your students must think your pretty damn cool.

“The juggle is real!” I’ve made some serious changes in my life in the past two years that have helped me take on the workload. My standards for both teaching and producing are that they are two full-time careers, and my time is balanced around them. I teach from 9-4 pm and focus on music in some capacity (creating, meetings, branding, content, marketing) at night. I rarely go out anymore unless I’m DJing or networking. Although, I’ve learned over the past year that balance is so EXTREMELY important for my creative and mental health. I make time for family, close friends, my dog Chief, and just living to avoid creative block and burnout. Thank you, I hope they do!

You are a great producer but also have a solid social media presence. How important is social media when it comes to marketing your music and connecting with fans?

In an industry that has had its in-person connection stripped away in the last year, it has been so important in both marketing and connecting with fans. I have really tried to solidify and focus on my branding and connectivity through social media a lot in the past 6 months. I’m trying to stay authentic to myself while giving people meaningful content that makes people happy, informs them or helps solve a confusion or debunk a myth about music, DJing, or producing. Again, it’s been the only way for me to stay relevant but also helps with narrowing down those super fans!

 Not only do you produce, DJ, and Teach, you also have a radio show called WEHAVEFUN. How did that come about, and what’s the vision behind it?

WEHAVEFUN Radio was a way for me to showcase my musical taste and also market myself digitally to potential venues. It also was a way for me to showcase/sharpen my skills as a DJ and love for other people’s music. I have been able to connect to so many artists looking to get more exposure just through a music centric podcast. I will admit WHF Radio has taken a back seat recently, but I am ready to start gearing it up again for the summer. I would like to feature artists for interviewing and guest mixes. If you are in need of a jackin high-energy hour-long mix for car rides, workouts, or pre-games, then this is the radio show for you.

In September, you announced that it had been one year since you decided to quit drinking, which I applaud. But, obviously, DJ culture and party culture go hand in hand. How are you able to resist temptations? What advice would you give someone who just decided to quit?

I’m glad you asked this question, I honestly shy away from posting about it too much, but I’m always open about speaking on it because I know it could possibly help others.

Personally, THIS was the life-changing decision I alluded to in an earlier question. The temptation is always there, but I’ve learned to be at peace with it and not let it even phase me. This didn’t happen overnight, though. It was a one-day at a time process. I have a strong support system and true friends that have made me realize that I never needed it to be who I truly am. The music gives me that high now. I also view it as a transfer of addiction from partying to my music career. There’s a direct correlation between the amount of time I’ve been sober and the time I’ve been producing. I’ll be honest I have had a couple of small setbacks in the past 1.5 years sober, but that just means I’m human. I’ve learned and grown from a couple of times, and each time I come out more focused and locked in than ever before. It’ll always be a battle for me all my life, but it’s a battle I’m not willing to lose.

For anyone out there thinking about quitting, DO IT. The pros immensely outweigh the cons (if any cons at all). Here’s some of my best tips:

-Do it for yourself and no one else

-Take it one day at a time. Literally, say “I will not_______ today” and watch the days add up.

-Tell those around you and make it well known what your goals are. Communication is so huge!

-When you’re out, always have something in your hand. This will eliminate people from asking you to take a shot or have a drink.

-Just know you never needed alcohol to be the beautiful, fun-loving spirit you already are.

It seems you have such an optimistic outlook on life. You are always enjoying the moment and having fun. Is this something you try to incorporate into your music?

Three words, baby, “WE HAVE FUN”! It’s my slogan. I’ve used it for years, and it’s definitely the type of music I want to make and music go-er I want to attract. It embodies the energy I bring to my original music, remixes, and DJ sets. People are attracted to good energy, and I just try and put that out there at all costs. I currently have my own night centered around this idea. We Have Fun Fridays at Clutch Chicago! Come by and say hi if you’re in town 🙂

Take us behind the scenes. How do you prepare for a set, and do you have a pre-show ritual?

Oftentimes I try not to over-prepare because I’ve learned I get too caught up in being perfect, and it throws off my energy. Usually, before a set, I always think about the room or venue and the audience that is going to be there or the artist I’m directly supporting. The time of day is also a big factor for me as far as what music I’m lining up for the night. I’ll create crates of music that I definitely want to play, but it is always open season once it’s go time. Never really had a pre-show ritual before covid, now I usually call or text my mom or dad, letting them know I’m here, sober, and ready to rock this mf.

With live music coming back, what’s this summer looking like in Chicago?

It’s looking promising! Clubs and bars are slowly opening up and releasing restrictions. I saw some festival lineups posted so good as it can be, I guess. I’m honestly not gonna be here for a large part of it. I was able to damn near manifest my own unofficial tour at several cities around the US, starting with Nashville June 4th. So I’m very excited about that!

Last but not least, where do you see yourself in 5 years?

On top of the DJ booth on the Perry’s stage at Lollapalooza. With a Stone Cold hat on, waving the Chicago flag as my dad drops one of my bangers in front of 10 thousand hardcore members.

Picture that.

John Williams, who goes by the name JWILLI is a rising DJ and producer coming out of Chicago who can’t be boxed into one specific genre. Finding inspiration from a multitude of avenues the 26-year-old producer takes pride in the versatility of his sound and it shows. From massive remixes to original songs JWILLI creates everything from emotional melodic bass to hard-hitting dubstep and is quickly becoming one of EDM’S most promising new artists.

The Daily Frequency had the chance to sit down with JWILLI and discuss his official remix with Abel Grey, his inspirations, and more!

Check out the full interview below!

When did you decide music was something you wanted to pursue? Was this a lane you always envisioned yourself going through?

I think I’ve known most of my life that I would do something with music. I’ve been writing songs since I was a little kid when I wanted to be a rock star, I wanted to be the next Fall Out Boy or ADTR. I started learning guitar early on and picked up trumpet with the school band around the same time. And once I started that classical training I was dead set on becoming a music teacher or professor. That’s actually what I was studying when I first started college, music education. Up until that point, I was learning more and more traditional instruments, I never at all thought that I would be pursuing electronic music. But once I was exposed to it, it became obvious to me that I wanted to chase it. I started to DJ at bars and private events throughout college, and once I learned more about production and developed my skills a bit, I decided I was going to really dedicate myself and my life to music.

What’s your creative process when in the studio? Do you have any routines to get you in that creative state or do you just go with the flow and find inspiration as it comes?

It varies a lot, and for a long time, I would just kinda wait for that inspiration to strike, to get into the creative flow. That could be frequent or scarce, and the inspiration could be totally random and abstract, or very defined. But that’s changed, and still changes a lot from project to project. I don’t think being totally at the whim of that creativity showing up is the most efficient thing for an artist that wants to be consistent.

For me, I’ve learned that that creative spark isn’t something I can force but it is something I can facilitate and encourage. Lately, when I want to start something new, I’ve found a working process. I like to start in the morning before I’ve gotten on my phone or listened to anything or spoken to anyone. I’ll open up Ableton, grab water or tea and an edible, and sit down for a couple hours and just go bananas in the DAW. Usually, I start by just jamming on guitar or piano, or digging for some crazy sample, and build on that. More often than not I’ll come out with a working sketch, or sometimes an entire tune. I think for me it works because my ears and mind are totally fresh, and I haven’t really been influenced by anything I’ve heard or done yet that day. It’s just me and that raw creativity in my own little world.

Chicago is widely known as the birthplace of house music. Do you believe your home city has had an impact on your musical taste and direction?

Absolutely, at first, it was a subtle influence but now it’s very pronounced. I grew up in the cornfields a couple of hours south of Chicago, so house wasn’t something I heard much of growing up. But when I first got to college, a lot of students were from the city/the burbs and brought house music with them. I think it’s one of the reasons I started with house when I first taught myself to DJ, it was salient and accessible. And later when I took a college class on Ableton, we were taught the history of electronic production, and even though house wasn’t the genre I really wanted to create at the time, its history and influence on electronic music as a whole was inspiring and undeniable. Fast forward, I’ve now been living in Chicago for almost 3 years and the vast majority of my peers are primarily house producers and DJs. A lot of them have become good friends of mine, some are even mentors to me which I’m extremely grateful for. Those relationships have opened me up to a whole new world of house music – the 4 am sets at Happy’s are vastly different than what makes it to the radio, and knowing the personalities that create house music has given me a better understanding of the genre. I think that’s where the culture comes in too. It’s influenced me to the point where I’ve actually been writing a lot of house music the past couple of months.

Which artists would you say are your biggest inspiration for your sound?

This question always gets me haha. There are seriously so many artists big and small I look to for inspiration. I’d say my top 3 have stayed pretty consistent: Seven Lions, Illenium, and NGHTMRE. I found all of them very early into my discovery of electronic music, but along the way, I’ve been heavily influenced by tons of others. Nurko, Modern Machines, MitiS, Dezza, MK, Au5, Blanke. I also find tons of inspiration from non-EDM artists and try to incorporate some of those elements into my sound.

What genres aside from electronic music do you gravitate towards the most?

I know it’s a bit cliche, but honestly, there isn’t much music I don’t like haha, my Spotify library is a hot mess. I’ve been a lifelong fan of rock, especially punk-pop, metal, and post-hardcore. The vocal melodies, guitar riffs, drums, lyrics, the emotion infused into the music, it’s just so engaging. To name one band, Dance Gavin Dance has this incredible versatility to their sound that I just find deeply inspirational. And I think it’s interesting how a lot of those characteristics translate into electronic music, both literally with the music (try telling me a metal breakdown doesn’t sound similar to dubstep) and culturally (I see lots of people who loved metal in the 2000’s/2010’s coming over to bass music). I also love modern rap, especially melodic sad boi rap with its adoption of 2000’s emo/punk-pop elements. I’d really like to see that specific genre hybrid with electronic music more.

Do you have any inspirations outside of the realm of music?

I find inspiration in as many non-music things in my life as possible. I think it helps bring a more original flavor to my sound than my musical influences because it eliminates the worry of unconsciously copying another style. Being in nature is a big one, it helps me feel grounded and opens up my perspective. Another big one would be my life experiences, relationships and friendships. Just love in general I suppose is one of my biggest inspirations. There’s just such a wealth of emotion to dig into and translate there. Doing that in an honest way, I think, opens up one of the core reasons a lot of people listen to music; to experience and process strong emotions, to feel understood and validated in whatever is going on in their own lives that the music helps them relate too, positive or negative. And sometimes it’s not that deep, like you just want to party or chill out which is great too, but sometimes it’s deep too. Some of my other inspirations are really all over the place – anime, the MCU, living in downtown Chicago, certain video games (read: Bloodborne), space, the human experience. My music peers here in Chicago are also a massive inspiration. I’m always finding new things to inspire me as well. Sometimes it’s as minor as a weird sound that a bottle makes or a random sample I hear in a show or something.

You release a lot of remixes, is there any song, in particular, that was your favorite to work on?

Probably Drunk Me. I had taken about a year where I didn’t produce much of anything; between graduating college, moving to a new city, starting a big boy job, DJing clubs in Chicago and some other life events it just kind of fell to the side. When I started working on it, my life was in a very weird place and I was lacking direction as a person in the aftermath of a toxic relationship and leaving a toxic job. I was spending a lot of time doing things on my own, doing some soul searching, and trying to rebuild myself and my life. R3HAB’s remix came up when I was taking a train back to my hometown and reminded me of the original that I’d heard years earlier and forgotten about. I put on the OG and it just hit home in some really strong ways; the lyrics felt all too similar to what I was experiencing in my personal life, the original was country music which had a nostalgia factor from growing up with it, and Mitchell Tenpenny’s voice and the melody just struck me as beautiful. I started on the remix as soon as the song ended, and did most of the work either on train rides to and from the city, or while back at home where my sister would help me work out the kinks in the tune. It was a very personal process rediscovering my passion for writing music, making this hybrid of the music I’d grown up with vs the music I currently loved, while I was simultaneously trying to figure myself out between the kid I’d grown up as and the person I was becoming. It helped me redevelop my love of and confidence in creating music and artistic expression. I felt like I was unloading a lot of my own emotion into the song just through the process of making it. I was terrified to release it because it was so personal, but when I finally did I got one of the best responses I’ve ever had to my work, and it’s still my most streamed song today.

Going through your catalog it is obvious you have the ability to switch up your style yet still stay genuine to your sound. Is versatility something you really try to focus on?

First of all, thank you, that is a massive compliment to me haha. It’s absolutely something I aim for. A major goal of mine is to be authentic as an artist, and to me, that means chasing all the creative ideas that just pop up in my head. And with such a variety of inspirations, that often means chasing ideas all over the place and in weird directions. It’s satisfying to me as a creative, it encourages that little creative voice in my head to be louder/more confident, and it makes the work feel honest. However, it does often pose a challenge to keep so many different styles and genres cohesive to what I want my artist brand to be. But some of my favorite artists manage to do it really well – Seven Lions and Nitti Gritti immediately come to mind as artists that have managed to fuse tons of genres into their defined sounds and brands. I want to develop a recognizable signature sound, but also want to just kinda make whatever, like a punk-pop EP or a bunch of dubstep plates or something, who knows. It can be difficult figuring out where to draw the line but the endless variety is also my favorite thing about art and creativity.

You have quite a few shows under your belt, especially for a new producer. How did it feel to play with huge artists such as Two Friends and R3hab?

Those were some incredible experiences that taught me a lot very quickly. The R3HAB show was first, and was my first real show outside of a bar/club or private event. At that point, I had been a DJ for a few years and was confident in my ability to perform, but I was still a new producer without much of my own music to share beyond edits. That show helped give me some context about what it was like being on the other side of the stage, and showed me the difference between the DJing world and the producer/DJ world.

The show with Two Friends was probably my favorite show I’ve played to date. It was a year after the R3HAB show in the same venue so it was the perfect benchmark to look back and see how much I had grown; I’m happy to say I grew a lot in that time with my sound, brand, and skill set. The show itself was amazing too – we were within 10 tickets of selling out, had massive production that apparently the crew brought off of Zedd’s recent tour, raised a ton of money for charity, and Two Friends threw down a killer set. I had been a fan of theirs throughout college and had already seen them on tour once, so it was insanely cool getting to open for them. Hanging with them before and after the show was a blast, it was 50% goofing around and drinking tequila and 50% of them dishing out veteran wisdom and answering all of our (the opening artists’) questions about their career and just the professional music world in general. They’re busy guys and absolutely did not have to do that but it meant a lot that they took the time to just hang out and help us learn.

The pandemic has disrupted our day-to-day life and hit especially hard in the music industry. As an artist how did you cope with everything going on and remain positive during the lockdown?

It was definitely tough, it was really challenging to stay positive at times, but I did my best to take it as an opportunity. Just a couple months before the pandemic, I had taken some time off of DJing the clubs in Chicago to improve my craft, and also decided I was going to invest in myself as an artist and had started building out a respectable bedroom studio. I remember being worried about how much I would even use it, with summertime Chi just around the corner. But with the pandemic DJing went out the window, so I doubled down on producing, built out a custom production PC, and just completely dove in. I also lost my day job with the pandemic shortly after that, so I finally had all the free time in the world to get better at music.

It was cathartic creating my own music consistently for the first time in years, and honestly, it helped keep me sane. I got more involved in online communities with other producers, and I’ve gotta say it was a game-changer for me. A big one for me is feedback streams; some of my favorite producers have made themselves so accessible with Twitch, Patreon, etc and it is priceless being able to get constructive feedback from some of the best in the game. Every song you’ve heard from me in the past 6 months has gone through at least a handful of those streams, and I firmly believe it helped me step my game up. Because of all these online communities, I’ve met some really incredible artists and made some great friends, and I’m really excited to see how it’ll all translate in person when the industry can open back up again.

As a fan, there are so many aspects of live music that I miss. From the artist’s perspective, what do you miss most about live shows?

I definitely miss hanging out around the venue pre- and post-set, getting to see the other artists play, and meeting people in the crowd. Not to mention the energy in a venue. Every show I’ve played, or even just gone to, I’ve walked away making new friends and fans. Just everyone being so happy and carefree and excited, it’s contagious. Also I just really miss feeling a sub rattle my rib cage and lasers hitting me in the face haha.

What are your favorite festivals you’ve been to as a fan and what was the last one you’ve been to?

Lollapalooza holds a special place in my heart since it’s here in Chicago. It was my first festival (if you don’t count Warped Tour) and it’s where I really fell in love with the live aspect of electronic music over a couple summers. I remember being on the rail for NGHTMRE in 2017 and it was just a mindblowing set, and it heavily influenced the sound of my DJ sets for a while afterwards. My all-time favorite though, and the last fest I went to, is EDCLV 2019. It really cemented the fact that I want to pursue electronic music, it was like pouring gasoline on the fire. I saw some of the craziest sets including my dream lineup in one day (shoutout Skrillex surprise set), and seeing the community come to life at that scale and meeting people from all over the world was an insanely cool and even humbling experience. I bought my ticket for 2020 as soon as I got home and am still holding on to it for whenever festivals resume. To any festival lover or just anyone toying with the idea of going, go.

What can fans expect from you as the year goes on?

Lots of new music, including plenty of collaborations. At the time of this interview, I have just released an official remix for Able Grey. It’s called “Out Of My Mind” and I decided to go back to my future bass roots for it, I’m really excited with how it turned out. I’ll also be incorporating some new genres into my sound, so some house music and more dnb is definitely coming. More melodic bass too. For the time being, you can expect some occasional chill progressive house live streams on Twitch, and a few bigger streams, but fingers crossed there will be show announcements soon as things open up. There are some other more tentative plans as well that I won’t say too much about yet, but I’ll say it looks like there may be an EP and a collective launch with some friends in the near future as well. Maybe even some new JWILLI merch too.

Lastly, if there was one thing you could accomplish in your music career what would it be?

A more specific goal I want to accomplish is playing the festival circuit, with EDCLV and Lollapalooza at the top of my bucket list. But really, I just want to create a large catalog of quality, beautiful music that people can relate to and express themselves with. I have this whole musical universe in my head, and I want to get that out and onto people’s speakers.I want that music to be the kind that helps people feel deeply, whatever that feeling is for them, and I want to share it with as many people as possible. It’s a pretty abstract goal but I think it’s an important one to keep me in the right headspace while I’m creating.

If there is one thing that quarantine has shown us about the music industry, it’s that the electronic dance scene as a collective cannot be stopped. You can take away our shows, festivals, and tours, but our music isn’t going anywhere. With the “if you build it, they will come” attitude, EDM has stepped up to the plate better than any other genre in all of music.  From live stream events to drive in raves to quarantine mixes, the EDM community has proven day in and day out that our community goes far beyond live music. If you are apart of the community, you understand. It doesn’t matter if you love dubstep, house, big room,  trance, or any other sub-genre, the unity, passion, and love for this music is undeniable. Festivals, artists, and labels have created a virtual world of music, bringing everything we love about the scene right into our living rooms. Whether you’ve thrown a house party to watch one of the numerous rave- athons hosted by Pasquale and Insomniac, sat on zoom with your friends while getting down to Lsdream, or raved by yourself to Ghastly in your room, live streams have made the most challenging year of our lives a little more enjoyable. Of course, nothing can replace that transcendent feeling live music offers. Still, I’m thankful for EDM for keeping the rave alive and proud to be apart of this beautiful community during these presented and trying times.

Here are our favorite sets that got us through quarantine!

10. Sidepiece- Edc Vegas Rave-a-Thon

Powerhouse DJ’s Nitti Gritti and Party Favor team up for a bumpin’ b2b under their house moniker Sidepiece!

9. Slander Virtual Vibes (Medusa Set)

Slander throws down a legendary set with one of the coolest stage set up we’ve seen resembling the head of Medusa.

8. Ducky – HARD Summer Staycation Virtual Rave-A-Thon

Ducky shocks Insomniac’s founder Pasquale and viewers alike with one of the best sets we’ve seen all of quarantine.

7. Dr. Fresch – Original Sound 

Dr. Fresch throws down as usual in front of a crowd of 90,000 marijuana plants!

6.CloZee – ShambhaRoo

Clozee perfectly synchronizes her Shambhala and Bonnaroo set into a tripped out show in the jungle!

5. Jai Wolf – Secret Sky

Jai wolf puts a unique spin on a live stream set as he incorporates stellar graphics in an exclusive audiovisual mix.

4. Subtronics- Bonnaroo 2020

Subtronics debuts new music in an all original set for Bonnaroo’s Virtual Festival!

3. Porter Robinson -Secret Sky

Porter Robinson closes out a virtual version of his Sky Festival with a nostalgic hour and a half set.

2. Lane 8 – Sunrise Set 

Lane 8 plays a euphoric set as he cruises Grand lake in Colorado.

1. Lsdream- Rave Cave Series

It’s hard to pick just one rave cave set as Lsdream throws down different themed sets displaying new music, trippy graphics, and heavy wubs!

Unless you live as a hermit and dismiss technology all together odds are you listen to music every day. It’s 2020. Everyone listens to music in some form or another. In fact, in today’s digital age, it’s damn near impossible to avoid it. According to a Nielson Music study in 2017, nearly 90 percent of Americans listen to music on a daily basis for about 32 hours per week. That’s a lot of our time dedicated to music, and without the advancement of technology, it wouldn’t be possible.

Music and technology go hand in hand. As technology advances to make our lives easier, we end up just adding more and more onto our plate. We are continually striving to be the most efficient we can be. Multi-tasking ultimately becomes our greatest skill as we try to cram as much as we can into 24 hours, and if you don’t, you, unfortunately, will be left in the dust. So how does every American have time to listen to 32 hours of music every week? Do we really listen?

I want you to really think about when you listen to music. You listen when you’re working out, sitting in traffic, writing your email, making dinner, in the shower, or mindlessly scrolling through social media. And how do we listen? Usually with our phones. We listen to music to distract us from what we are doing. We don’t actually listen to music. We treat music as background noise in our lives, so we don’t have to live in the moment.

Don’t get me wrong; music is a great escape. It makes driving and working tolerable. It pushes you to get in that last rep at the gym or run that last lap at the track, but music has more than that to offer. Because of streaming services, music has never been more accessible. Frankly, I couldn’t live without Apple Music, but it does come with a cost. It takes away from the magic of listening to a song the way your favorite artist intended. It went from being something you looked forward to doing everyday to something mundane and just a natural part of life, such as walking or breathing. Streaming apps are not only changing when we listen, but how we listen, and I fear we’re beginning to take music for granted.

Sixty years ago, when the only way to listen to the music of your choice was a vinyl record, the process of listening was a lot more exciting, and some may argue like a ritual. When a new record would drop, you had to go to the store, buy an album, drive home, and pop open the record player all before you could hear just one note. You would sit around the speaker like you would a tv and listen to the full album front to back.

Every song had a purpose and told a unique part of the story the artist was trying to portray. There were no distractions. You weren’t aimlessly scrolling through your phone or focusing on that email to make a sale. You were fully immersed in the sound. It wasn’t just something you did. It was an experience for the body, mind, and soul and the music reflected that. Bands and artists such as The Beatles, Pink Floyd, Janis Joplin, Jimi Hendrix, Bob Dylan, Fleetwood Mac, the list can go on and on, would focus on the whole album. The whole experience. Every song meant something, and fans took the time not only to listen but interpret and consume every lyric, emotion, and guitar riff.

Today, at least in the mainstream, we seemed to have lost touch with the art of music. Songs are getting shorter and shorter. Lp’s are turning to Ep’s, and Ep’s are becoming singles. Our attention spans are disappearing, and the music is suffering. When did we choose the 2 min song made in 20 minutes over full-scale albums and seven-minute ballads? It’s not the artist’s fault either. It starts with us, the listener. Artists need to make a living, and if they have to make singles over albums, that’s what they’ll do. If we change our listening habits and fall in love with the art again, the music will follow. I’m not saying stop streaming music. I’m saying take time out of your day and dedicate it to listening to your favorite album—nothing else, just the music.

The good news is it’s not all doom and gloom. As much as things are changing, there is a demand to slow down. We’ve been fed the digital life so much; people are starting to get fed up. There’s a reason the demand for physical vinyl records is skyrocketing. There’s a reason meditation apps are the new big thing. People are starting to wake up and slow down. Sometimes we need a break from all the complex technology running our lives. We need to live in the moment and experience, not just the now but something real and physical. The Glass Animals said it best on the opening song of their new Album Dreamland.

“You’ve had too much of the digital love. You want everything live, you want things you can touch. Make it feel like a movie you saw in your youth. Make it feel like that song that just unopened you”

A revolution in listening to music needs to happen, but we’re on the right track. The more we sit down and listen to music the way it is intended, the more things will change. It won’t only help the artist. It will help the listener have a full experience in body, mind, and spirit. Just listening to your favorite artist with no distractions could be a form of meditation and could not only entertain you but ease your stress, anxiety, and overall well being. So get comfy, grab a drink, spark a joint, close your eyes, and get lost in the music, man.