Known for his immersive sound design, Fernando Loret de Mola, better known as Floret Loret, has risen as one of the most innovative tastemakers shaping the scope of experimental bass.
Like a gardener tending a garden, the boundary-pushing producer meticulously cultivates sonic landscapes flourishing with lush, emotive soundscapes, hypnotic melodies, and vibrant waves of all-encompassing bass. With his latest EP, Lightsplinter, Floret Loret is not only stepping into a new era but highlighting his sonic world-building ability and ever-evolving artistry.
Released on December 3 through Deadbeats, Lightsplinter takes listeners on a four-track cinematic journey into sound and vibrations. Shaped by a year of challenges, the EP follows the forging of a sword made of light, where a character faces off with adversity and forges a path toward renewal and transformation. From the mystifying soundscapes of the opener, Doves, to the shimmering basslines of Assemblage, and the distorted, resonating basslines of Lightsplinter, Floret Loret delivers an emotional yet uplifting sonic experience.
Following the release, The Daily Frequency caught up with Floret Loret to discuss the themes behind Lightsplinter, crafting sonic worlds, his upcoming shows on Shlump’s 2026 tour, and so much more.
Check out the full interview with Floret Loret below.
DF: Thank you for talking with us! You’re stepping into a new chapter with a massive release on Deadbeats, Lightsplinter. What does this release represent for you at this stage in your artistic evolution?
Floret Loret: Anytime, thank you for having me! This EP has helped shape some new sounds for me and allowed me to take on some risks with my songwriting. I’ve been trying to push new boundaries and experiment in my DAWs with different structures, transitions, and not try to overthink as much during the creative process.
DF: The theme behind the EP is overcoming challenges and stepping into new beginnings. How did this past year shape your approach to writing the record?
Floret Loret: This year has had its challenges, and the way I cope in those times is to write. I like to express emotions, or at least try to, through my songwriting and sound design, hoping to capture the feeling I am experiencing at the moment.
DF: The story within the EP follows the forging of a “sword made of light.” What does that symbol represent to you, not only within the Lightsplinter world but personally?
Floret Loret: Personally, it’s trying to see the good in a bad situation, trying to see the light at the end of the tunnel. That not all is lost, and that overwhelming feelings of doom eventually pass.
DF: Lightsplinter is such a cinematic journey that really highlights your profound sonic storytelling. Would you say sound can capture feelings and emotions in a way that words or visuals can’t fully express?
Floret Loret: I 100% believe it can. Anyone can show emotion through music, even through a DAW, the same way a guitarist expresses emotion on their face during a solo or a pianist passionately slams the keys. The best way I can describe it is like experiencing a different feeling where you’re moved and charged emotionally.
DF: While inspired by personal experiences, the core themes within the EP resonate on a universal level. What do you hope listeners take away from the Lightsplinter experience?
Floret Loret: If you’re going through something traumatic or experiencing hardships, I hope it reminds you that it will all come to pass. Life is precious and meant to be experienced, both the good and bad.
DF: You’ve talked about how a difficult year shaped Lightsplinter. Do you see personal experiences as a core source of inspiration in your music, and would you say turning those moments into sound is, in a sense, therapeutic?
Floret Loret: It’s 50/50. Yes, you can turn your experiences into art and express what you are feeling in the moment, but it’s important to address those experiences directly and seek help if necessary. Having a broken routine can do more harm than good. Express your emotions and reflect on what you’re going through, but also keep a mental check on yourself if you find that you can’t perform day-to-day activities.
DF: Alongside your personal experiences, your father’s connection to nature played a major role in shaping your creative outlook. How does that early influence continue to show up in your approach to sound design and composition today? Do you find any parallels between building these sonic worlds and the way a gardener nurtures plants in a garden?
Floret Loret: Just like my dad has his garden and a real green thumb, I turn to my music and treat it the same way. My dad has put a lot of care and love into that hobby, and I wanted to do the same for my music and my little world that I am building. I’ve always looked up to him, and he remains a constant source of inspiration for me.
DF: Overall, you’ve developed such an immersive sound that blends melody, detailed textures, and experimental bass in a really distinct way. How do you approach balancing so many different elements in your creative process?
Floret Loret: Each project is different. Sometimes I start with the bass and build around that, or I start with the melody and textures and build a low end that complements it. Sometimes I add something that’s so contrasting that somehow still fits. It involves a lot of experimentation, exploring, and, honestly, having fun with it.
DF: On top of the release, you’re joining Shlump on his 2026 tour. How do you see the Lightsplinter experience live in a stage setting, and what can fans expect once you take the stage?
Floret Loret: I’ll definitely be playing tunes from Lightsplinter along with some of my earlier work. I also love playing a lot of unreleased tunes from myself and friends, so I’ll be leaning more into that too. It adds to the live show experience. They’re songs you can only hear in a set.
DF: Lastly, after a difficult year filled with trials and uncertainty, how does it feel to end 2025 with a record like Lightsplinter, and what can fans expect as we head into the new year?
Floret Loret: It feels amazing. These are tunes I cherish and truly stand behind. I am beyond grateful for the opportunity to share my music and art with everyone, and I am thankful to the Deadbeats team for putting out this EP. In the new year, I plan to keep releasing more music and continue building out this world. I am having fun and enjoying the process. I hope people stick around for the ride.
