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With great pain comes great art. In times of struggle, creativity seems to blossom, especially when it comes to music. In the 60s and 70s, as the world was ridden with racial injustice, political assassinations, police brutality, and an unjust war, rock and roll flourished as bands used the harsh realities imposed on their generation to fuel creativity and push musical boundaries. In the 80s and 90s, as police brutality, poverty, drugs, and violence continued to rage against society, hip-hop and punk became the new rock and roll as bands and artists used these new genres and creative outlets to combat the establishment. In 2020 the coronavirus swept through the globe causing lockdowns and disrupting life as we know it. Mix that with more police brutality, racism, protests, riots, and a divided America can only mean one thing. 2021 will be filled with great music.


What better way to pull ourselves out of these historically absurd times than with the power of music? Our generation craves, peace, love, and unity as we long for change and our own path. When the world looks back on our time they will see a generation that chose love over hate. A generation that pushed for an insurgence in consciousness through the power of music and festivals.

Despite what mainstream media may imply the music of this generation is without a doubt electronic and to say the best has yet to come would be an understatement. We are currently in the midst of a musical revolution. No festivals, tours, or shows means DJs are stuck home honing their craft and sitting on a bunch of unreleased music. Without the pressures and time restraints that come with being a touring DJ, artists have had the opportunity to commit all of their energy to producing and songwriting. Mix in the frustrations and tribulations caused by the lockdown and the state of our world, artists can muster up the inspiration to really push their creative limits.


Now, as the vaccine continues to circulate and festivals and shows seems more likely to happen , artists are beginning to release new music and announce upcoming albums. Here are the top 10 electronic records either rumored or announced we are looking forward to the most!

Kaskade – Reset- Release Date : 3/5/21

Although, only four songs, Kaskade goes back to his roots as his newest EP most resembles his Automatic and Atmosphere projects rather than his previous Redux releases. There is a common message through each track. With all that happened in 2020, Kaskade suggests we need a reset to get back to love and optimism.

Charles the First – Solus- Release Date : 3/5/21

If there is one artist truly pushing the boundaries of what electronic music can be, it would be Charles the First as he ingeniously meshes lo fi down tempo hip-hop with dance and dubstep inspired sounds creating a musical journey like no other.

Porter Robinson- Nurture- Release Date: 4/23/21

Arguably the most anticipated album of the year, Porter is set to release his first LP since his critically acclaimed Worlds album in 2014. Based off the four singles released in the past few months, Nurture has the potential to spark another creative revolution in dance music and will surely be talked about for years to come.

San Holo- BB u ok? – Release date- 5/21/21

San Holo is set to release his most diverse and personal record of his career thus far. Featuring artists such as Rivers Cuomo of Weezer, American Football, Mija and more, BB u ok? will be right up there with the best electronic albums in 2021.

Mersiv- Pretty Dark Loud – Release Date- TBA

After releasing his single Talkin Bout in January, Mersiv announced his debut album is in the works via Instagram in early February. Mersiv has been quickly rising to stardom in the past few years and is set to take the bass scene by storm once this highly anticipated album finally drops.

Illenium- Album title and release date TBA

Along with releasing his massive single Nightlight featuring vocals by Annika Wells, Illenium has teased an album coming sometime in the near future. Known for his heavy hitting, melodic dubstep and his emotional song content, Illenium will have you headbanging into your feels.

Flume- Album title and release date TBA

After releasing a remix of Eiffel 65’s Blue, the legendary Australian producer Flume announced he’s working a new album on George Breakfast’s Bangers & Bants radio show. “I’ve just kind of been sending demos out and trying to get as much music together before the lockdown finishes and hopefully come out of it with something to show for myself,” Flume said in the interview. “And we’ll see what happens, but yeah, I’m hoping to have a record done before the end of the year.”

Lsdream- Album title and release date TBA

After just celebrating the 3-year anniversary of the Lsdream project, trap lord turned spiritual bass shaman Sami Damient has announced his second single High Vibrations will be released as a follow up to the Follow the Vibe single released at the end of 2020. One can only speculate Lsdream has more music on the way.

Ganja White Night- Album title and release date TBA

Although no singles have been released, Ganja White Night recently took to Instagram to announce the postponement of Wobble Rocks, their 3 day concert series at Red Rocks, Colorado for not only safety concerns but to allow them the chance to release new music as they hinted at an upcoming album.

Alison Wonderland – Album title and release date TBA

Even without touring, Alison Wonderland has been hard at work throughout 2020, releasing singles like Bad Things and Anything featuring Valentino Kahn as well as teasing her 3rd Studio album set to release in the spring of 2021. With her producing skills combined with her ability to sing and play musical instruments, the EDM scene will be in for quite a treat once her album drops.

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Will Geary, who goes by the name Hi Will is a bass and dubstep producer from Port Jervis, New York, who recently moved out to  Colorado. He’s been hard at work releasing an 11 track ep titled Inverted, along with three singles in 2020. 2021 has the potential to be a break out year for the Colorado producer who just released a brand new banger called Stankface featuring Filth Collins.

The Daily Frequency caught up with Hi Will to discuss how he started making music, DJ’ing, and a whole lot more!

Check out the full interview below!

You made the big jump from New York to Colorado. What has that experience been like?

Moving to Colorado has been a dream of mine since before I could remember. I started skiing when I was four and snowboarding when I was 14 and never experienced a pow day until I moved here. It was a super easy transition for me. A ton of my friends from college also moved here around when I did so I was never really got lonely, and I had a job, and everything lined up before I got here.

How did you get into making music? Has it been something that’s always been apart of your life, or is it something you got into as you got older?

It took me a few starts. My great-grandpa was a pretty famous drummer back in the day, so I really wanted to play drums in school but was assigned trumpet, so I never really took it too seriously and quit band in middle school. I was into punk rock, so I picked up a guitar but again didn’t really make it too far. I grew out of punk music and started listening to hip hop in 9th grade. My first attempt at college didn’t go well, so when I withdrew after a couple weeks, I wanted to start making beats in garage band but was quickly discouraged. This was in 2008, so there weren’t as many resources as there are now to teach yourself. Fast forward to Sumer 2012, I was really into house and dubstep and went to my first music festival, Camp Bisco XI. This was the summer that EDM trap was first starting to emerge. When Skrillex dropped Wild for the night (going in) edit, it was the first time I heard EDM trap music, and it all kind of clicked for me that it was something I wanted to make myself. I blew my entire refund check on a MacBook when I went back to school that fall, got a bootleg version of Ableton, and dove in.

What challenges did you face as a new producer?

I had a bumpy start. I was kind of stubborn and could’ve saved a lot of time if I had a better process back then. A lot of frustrating hours spent in Ableton learning by trial and error. My one friend that was also producing at the time was also anti samples, anti preset, etc., and pushed me towards trying to make everything myself. Then my releases weren’t getting any attention, so I stopped putting music out, and would just fall in and out of Ableton for a couple of years.

When did you decide that music was something you really wanted to pursue?

 I was done with school, living in western NY, and facing a mountain of student loans. I was pursuing being a financial advisor, and the message there was you need to focus 100% on building your business if you want to be successful. I really wasn’t happy and would work all day and come home and produce all night. I don’t know who I was trying to prove wrong, but it was actually pretty motivating for making music, but I was lying to everyone. Lying to prospective clients, trying to act like I was someone I wasn’t so they would trust me to manage their money. Lying to my manager that I was 100% committed to being a financial advisor and lying to myself that I was putting enough effort into producing. I did that for a few years and was finally on my feet enough to fulfill a lifelong dream of moving to Colorado.

Would you say the move to Colorado helped you creatively?

Colorado is a lot more chill than western NY professionally. You can be yourself a lot more at an office job, and its not uncommon to have a career without giving up your interests. When I first moved, I wasn’t sure if I’d have to take a drug test for my new job or not, so the first time I smoked weed in a couple of months, I got awkwardly stoned and came home and wrote probably my darkest song, Terminated. I still had no real idea what I wanted out of producing, but I had years of projects starting to stack up.

Have the restrictions with covid allowed you to focus on your craft?

I can thank the pandemic for giving me a lot of free time alone to get my shit together. I put together a tracklist for Inverted and then wiped my computer’s hard drive. I’ve learned a lot and have been really focusing on my mixing and mastering skills to get an industry-standard sounding product and get my workflow a lot faster where I’m not spending months or years on songs. I’m about to graduate from the AMP program with KMG in Denver, which has helped a lot.

What’s your creative process? Walk us through an average day at the studio.

I still don’t have a one-off creative process to start. It’s usually trying to learn something new, or making a drum loop, or chord progression, or wanting to sample something or make a  “type beat”.  Once I get excited about the direction of a project, I try to not put it down until I sketch something out that I can finish, or at least bounce a snippet from and listen to and decide if its something I want to put more time in on or start something new. A good practice if you get stuck or aren’t feeling very creative is to try to learn something new. Usually, if I try to make a new sound or something, I get inspired for a song by the time I’m done with the tutorial.

You released a lot of music in 2020, including an 11 track ep and three singles. How do you find inspiration day in and day out?

Like I said before, Inverted is basically all my more amateur sounding stuff that I liked enough to put out, and is basically 7 years of work. The three singles I put out this year were basically sketched out, pulling an all-nighter when the inspiration struck.

Your sound seems to be heavily influenced by hip-hop. Who are your favorite rappers at the moment?

Favorite rappers seem to come and go, but Futures has been a favorite for a while, I listened to a lot of da baby and Lil baby last year.

Who are your influences in electronic music?

My biggest influences would have to be early RL Grime, Flosstradamus and Skrillex, pretty lights, and basshead era Bassnectar. Dillon Francis is also a huge influence of mine. I like how he was able to blow up without being confined to a genre, which is the producer id like to be, with some high-energy bangers for playing shows and less aggressive songs that are more universally enjoyable.

Aside from hip-hop and electronic music, what other genres do you resonate with and draw inspiration from?

I listen to a ton of different music. As far as inspiration goes, id have to say I usually get inspired by indie tracks. Video Game by Sufjan Stevens is a good example. I should drop a remix to that, actually, haha.

You spend a lot of your free time outside. Do you believe taking time out of the studio to hike or snowboard benefits your creative process?

It’s always good to take a break, but if anything, it’s detrimental to producing. Snowboarding is probably my #1 distraction, and I feel bad about using my limited free time, not in the studio.

You play vinyl when you DJ. Do you believe that’s becoming a lost art?

I came across an offer I couldn’t refuse when I bought my vinyl set up. It still runs through Serato. It’s just timecoded vinyls. I really like the vinyl set up because, with the spinning records, you actually feel the music moving underneath your fingers. Plus, if you can spin and beat match on technics, you can pretty much use anything. Personally, I’m not a big fan of turntablism. A few tricks in a DJ set can take it up a notch, but other than that, it’s just not a sound I think is desirable. As far as straight vinyl djing, it seems like more of a novelty. Someone can do a lot more with a controller these days, and being limited to the tracks you have on actual records seems like it just limits the DJ for no good reason.

Do you listen to any music on vinyl?

I got my girlfriend an Odesza vinyl for Christmas, and it sounded amazing. I think id like to start an actual vinyl collection and buy some of my favorites. Two that come to mind would be Anderson Paaks Malibu and Post Malones Stoney.

What’s the last show you saw, and who are you most excited to see when live music comes back?

The last show I saw was NGHTMRE at the Amplitude drive-in. It was pretty sick! I don’t really have any tickets for anything coming up, but I just pray we get red rocks back this summer.

You just released your new single featuring Filth Collins; what should fans expect from you as the year goes on?

I have a ton of projects I’m working on. Stankface is my first track with original vocals, and Filth and I work pretty well together, so we’ll be releasing a lot more high energy tracks this year. I have some more melodic tunes coming out with my homie Astro Piano that we just have to wrap up and some hip hop joints. I pretty much have a hip hop instrumental tape I want to drop as well. I have a remix dropping for Subbspaced next month and a few other remixes I might put out on Soundcloud. Most of my fans know me from Inverted, so anyone whose been following me will notice that I stepped my game up and will just keep getting better. So this year, I’m holding myself to a higher standard, a lot of collabs, and just bigger and better records. I hope to play out in Denver a good amount this year, too, if we can get past covid. I’ll be putting out a mix with all originals at some point this year.

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It is no secret that female DJs don’t get the recognition they deserve in the music industry. You wouldn’t know it from looking at many festival lineups, but there is a sea of talented female DJs and producers who not only have a massive following but are a driving force behind electronic dance music.  

For National DJ Day, it is only fitting we celebrate our favorite female DJs!

10. Lucii

After breaking into the scene with a massive EP titled Abduction, Lucii has been taken the bass scene by storm. Since then, she has been hard at work releasing music with Champagne Drip and a second ep called Wicked in 2020. Known for her celestial vocals and captivating production skills, this alien will wreak havoc once festival season returns.

9. GG Magree

Known for her versatile high-energy sets, GG Magree sure knows how to throw the fuck down. Mixing everything from hip-hop, to dubstep, to hardstyle GG knows how to get the party bumpin!

8. Clozee

Known for her dreamy psychedelic productions, Clozee is one of the most unique sounds in all of bass music. Drawing inspiration from her world travels and classical instruments, the French producer has established an identity as a pioneer in her genre-bending bass.

7. Mija

Mija’s career exploded after going b2b with Skrillex for a legendary sunrise set on the Kalliope Stage at Bonnaroo in 2014. Known for her genre-bending sounds with roots embedded in house, Mija has a style all her own as she continues to push the boundaries of dance music.

6. Whipped Cream

Coming fresh off her first full-length Lp titled Who Is Whipped Cream, Whipped Cream combines hip-hop, heavy metal, and hard-hitting dubstep to create a heart-thumping, goosebump rising experience.

5. Ducky

Another versatile DJ who can sing, play instruments, and produce, Ducky, mixes melodic pop with hard-hitting dubstep, hardcore, and hardstyle. Known for her massive performances at festivals such as Bonnaroo and EDC Las Vegas Ducky is quickly rising to dance music stardom.

4. Tokimonsta

With one of the most inspiring stories in the industry, Tokimonsta was left unable to read music and communicate following two brain surgeries after being diagnosed with Moyamoya disease in 2015. Instead of giving up, she pushed forward and has become one of the defining sounds in modern dance and beat music. Just one year after her final surgery, she received a Grammy nomination for best dance/electronic album for her 2017 release called Lune Rouge. When live music resumes, expect to see Tokimonsta grace many major festival lineups.

3. Level Up

After studying turntablism under the legendary Rob Swift, this hip-hop battle DJ turned Dubstep enthusiast is set to take over 2021.  With her musical storytelling ability mixed with a knack for heavy-hitting wubs, Level Up is a force to be reckoned with.

2. Rezz

Rezz, also known as the self-proclaimed Space Mom, has been rocking festival crowds for a few years now and is nowhere near slowing down. With an undeniable unique sound, the Canadian producer has been at the forefront of dance music as she combines heavy bass, minimal tech, and dark techno.

1. Alison Wonderland

One of the biggest stars in dance music, Alison can do it all. Not only does she sing, produce, and DJ, but she plays live instruments such as the cello during her sets. Leaving everything she as on the stage, Alison has been lighting the electronic scene on fire. Expect her to be headlining major festivals and sold out tours once live music returns.

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Last week British Producer and dubstep pioneer Flux Pavilion announced that he is “no longer a dubstep person” via Twitter, turning his fan base into a frenzy as they questioned what was next for the Bass Cannon DJ.

After ten years of pushing the genre forward with massive bass-heavy hits, Flux no longer feels inspiration or joy when it comes to creating dubstep bangers. However, that does not mean he is quitting music altogether. Instead, he is reinventing himself and announced a new album to be released on Thursday, January 21.

The album titled .Wav is utterly different than anything Flux has previously released yet still stays true to his electronic roots. Based on the album’s singles, Flux seems to be transitioning into a more relaxed style with chill melodies, graceful chord progressions, and angelic harmonies.

It is always refreshing to see an artist on Flux’s level find the motivation to reinvent and challenge themselves creatively. It’s going to be a surreal feeling to hear what Flux has in store for us on Thursday.

.Wav will be available on all streaming platforms.

Flux also announced a live stream event to celebrate the album on February 5th and 6th.

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Daniel Butler, a music producer from Memphis Tennessee, who goes by the name Kane has taken full advantage of the halt in the music scene. As tours, festivals, and live music have come to a complete stop, due to the corona virus, Kane has been hard at work in the studio and traveling the world at the same time. With just under two years of music production under his belt he is already establishing a name for himself.

Kane has just released his new single “Cutting you Loose’ featuring singer/songwriter Rachel Leycroft which follows his first single “Where Did You Go” released in July of 2020.

Inspired by artists such as Illenium, Odesza, and RL Grime, Kane is on pace to becoming the next big thing in Future Bass and melodic dubstep.

We caught up with Kane to talk about his travels, music festivals, and more.

Check out the full interview below!

How did you get into music? Has it been something that has always been a big part of your life?
I came from a musical family, so music was always a part of my life. My dad played guitar and sang and my mom was in band and choir in school. I joined band in middle school, ended up going to college for music education, and now I make music full time. It’s easily been a huge part of my life.

What’s your creative process? Do you have a specific routine or is everyday different?
It’s always a little different, but I’ve found a routine that allows me to be most creative because I don’t have to think about the minutiae of production. I have a template that I start every project that has everything loaded up so that I don’t have to start from scratch every time. I then usually start with a chord progression because I believe it’s really what makes a song special. After I create a simple drum pattern and make a melody that becomes the main idea of the song. From there, it’s arranging, instrumentation, and finding a vocalist. It’s a fairly simple routine, but it allows me to be the most creative I can be.

You’ve been traveling for some time now. Do you find it harder to focus on music when your constantly on the move opposed to having a permanent studio at home?
Quite the opposite! We stay put anywhere from 1-3 months which is plenty of time for me to dig in and not be distracted like I would be at home. I don’t make music on the days that we are traveling but it doesn’t really set me back at all.

What has been your favorite city/ country you’ve visited on your travels?
Lisbon, Portugal for sure. The vibe there was really vibrant. Everyone seemed to be happy, they were always polite, and the weather is nice there pretty much year round. Edinburgh, Scotland is a close second. 

How do you find inspiration when writing music?
Honestly, a cool chord progression is all I need to get going. I like to take standard chord progressions and make little changes to their structure to make something that sounds both familiar and unique. I also get a lot of inspiration from my favorite artists but also all of the great undiscovered talent that I see on social media all the time. 

Who would you say your non EDM influences are? 
I actually didn’t even listen to EDM until about 2 years ago, so I have a bunch! Linkin Park was my first favorite band, and I feel like I still draw from their energy sometimes. I also love Kendrick Lamar, Daniel Caesar, Red Hot Chili Peppers, Coldplay,  Snarky Puppy, and a ton more. When I say I listen to a bit of everything, I mean it. 

If I were to look at your music library at the moment what would I find?
I have a few different EDM playlists depending on my mood but I also have a running playlist that has a bunch of music from different genres! You’ll find everything from hip hop to film scores on there.

What was the best concert or festival you’ve been to and why?
1000% Odesza’s “A Moment Apart” at Bonnaroo. The performance is literally why I decided to make music. Not only was the music extremely good, but the production value and their attention to detail really made it special. I still get chills going back and watching videos from that tour. 

If you could work with any artist alive or dead who would it be?
There is a TON but if I had to choose it would be Illenium. Not only is he my biggest inspiration for my sound, but he just seems like a chill dude that I think I’d vibe with. 

If you could play any festival or venue what would it be and why?
Bonnaroo. It’s where it all started for me. It may not be as big as EDC Las Vegas, but it’s always going to have a special place in my heart.

You’ve just released your second single “Cutting you Loose” after only producing for less than two years which is pretty remarkable. Any tips for new producers? Produce. Every. Day. It doesn’t matter how busy you are. Make time EVERY day even if for a few minutes to produce. It’s a tough discipline and can only be done if you put the work in.

Lastly, if you had one message to give to your fans what would it be? 
You guys are amazing and have been mega supportive since day one. I can’t wait to play for you live one day! 

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The Universe has a peculiar way of speaking to you, especially when your judgments are closed and your heart and mind are open. When you are tuned into the right frequency, it becomes obvious that there is another force guiding us through this existence. You just have to trust that energy, and once you do, you recognize that the answers are often right in front of you and have been this whole time. Everything that happens in life has a purpose. It may not be what you want, expect, or understand, but as time goes on, you will realize that it was exactly what you needed.
It was the beginning of October, and my friends and I finally copped tickets to a drive-in rave. Not just any show but the Wakaan Halloween takeover in Scranton, Pennsylvania. Liquid Stranger, Champagne Drip, and Mize were set to throw down on top of Montage Mountain. We couldn’t think of a better first show back since the pandemic and were hyped as fuck, to say the least. Not just for the fact that we were going to see Liquid Stranger, or that we were finally going to see live music, but that we could ultimately rage together. We haven’t danced and headbanged through the night since Okeechobee, and we were all itching for an evening of good vibes, good music, and debauchery.
As Halloween approached, Liquid Stranger announced that each night of the three-day takeover would be unique. Night one would be dedicated to throwback jams, night two would be a tripped set, and night three would be full of bangers. Each night was sold out, and we were going to night two.
As much as I love downtempo tripped out music, I was skeptical of the tripped-out theme. It was my first show in 8 months, and I wanted to party. I had all this pent up energy from quarantine that I needed to release. How can I do that during a slow trippy show? But the Universe doesn’t always give you what you want but what you need.
Aside from my reserves, we were ready to be back in our element. We missed the crowd, the atmosphere, and of course, the people. Before we knew it, it was Friday morning, and we were finally on our 2 hour Journey to Montage Mountain Resorts to check in our hotel before the show. The only problem was it was not only freezing but raining. Not the greatest weather for an outdoor show, but the gray clouds wouldn’t stop our shine. After sitting in line for almost two hours, with flashbacks to Bonnaroo 2019, we finally made it in just in time for Mize to hit the stage.
Strangely enough, the sky opened up, and all the clouds disappeared. A full moon lit up the heavens above with Mars in the background. It was still cold, but it was perfect. As the night went on, Mize changed to DMVU, which switched to Champagne Drip, and then finally Liquid Stranger. The entire time I could not take my eyes off the moon. All I kept thinking that this is what humans have been doing for thousands of years. Dancing under the full moon, losing ourselves in the moment.

As Liquid Stranger finished his set, he spoke about his decision to perform a tripped set under the full moon. That he never gets a chance to play the music that he played that night. That every song he played from Stairway to Heaven by Led Zeppelin to Forever Young by Rod Stewart had an impact on his life and his career. He spoke on how the world was going through a transition and that we need to treat each other with love.
It is then I realized that the Universe was speaking to me through Liquid Stranger. The world is going through a transition, but so am I. I realized that the tripped set was exactly what I needed. Instead of giving me a night full of bangers for my first show back, I got music that opens your mind and soothes the soul. I’ve been going to shows for ten years now, and I’ve partied as hard as anyone. I kept having this thought that part of my life is over. Not that I’ll stop going to shows or festivals, but my intentions will change. That I will be motivated by spirituality instead of just getting fucked up. It was as if the Universe was pushing me in a new direction.

Since then, I’ve been meditating, reading, and positively focusing on my goals, and things are suddenly falling into place. I’m starting to get opportunities I’ve never had before, I feel better mentally and physically, and I have a newfound excitement for the future.
I felt this story was important to share as we head into 2020’s winter solstice coming early next week. On December 21, for the first time in 800 years, Saturn and Jupiter will align, creating what’s called the great conjunction allowing the Christmas star to be visible. This extraordinary event is said to be a sign of powerful change and spiritual transformation as we transition to a new age.
The fact that this will happen in 2020 is pretty remarkable considering what’s going on in the world. 2020 isn’t the year we asked for, but it is the year we needed. A year that acted as a wake-up call to say that this way of existence, full of hate, neglect for the earth, carelessness for our health, and need for material pleasures, is not sustainable. Our way of life has been taken from us. We have been forced to stay inside with no restaurants, no bars, no concerts, festivals, weddings, or parties. We can’t go to work, kids can’t go to school, and some of us have lost loved ones. But through all the tragedy, there is a silver lining. 2020 has forced us to find happiness from within and think in different ways. It taught us not to take life for granted because you never know when life will abruptly change. People are finally beginning to wake up. Everyone has grown in someway through quarantine. Whether it’s finding a new hobby, a new passion, or realizing you can survive on much less than you thought.
We’ve seen worldwide protests in the name of peace and equality. Governments are being exposed, the powers are shifting, and the world is learning that love trumps all. As Bob Dylan famously put it, “The times are a changin!” 2020 was not the year we wanted, but the year we needed. We struggled and survived together. New beginnings are ahead of us. It’s time to stop saying fuck 2020 and start being grateful that it happened. 2020 will be known as the year we woke up, and 2021 will not only be our year but a promising start to our greater purpose.

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It’s 2020. If aliens are ever going to expose themselves, now would be the time. Over the summer, The New York Times reported that the Pentagon released a report where they admit that UFOs are real. They then squashed any doubt by later stating that by UFO, they mean a “craft, not of this world.”
Amongst all of the craziness of 2020, this seemed to go unnoticed by the public. Then early this week, former Israeli space security chief says aliens not only exist, but there is an entire Galactic Federation that the United States knows about. According to Haim Eshed, extraterrestrial beings have a base deep under the crust of Mars. American astronauts are currently on the base, and aliens have been intervening with humanity for years, even de-escalating nuclear war.
Eshed explained that the aliens don’t think humanity is ready to understand the existential truth of their existence. You can’t blame them. We’ve destroyed this planet and each other. How can we be prepared for aliens if we can’t even get along with our neighbor?
But what if they do decide to come down from the stars? Will they destroy us like they do in the movies? Will they wipe us off the face of existence with a push of a single button?
Plot twist! Aliens are peaceful and not only spiritual beings, but they’re all about the wubs. They are chill as fuck and just want to vibe. They come down from the mothership and ask for a playlist full of 10 dubstep bangers to cruise the milky way while they hotbox the ship.
This is what we gave them.

  1. Hello Human – Lsdream

Of course, we will start the playlist with Hello Human by Lsdream. As a human myself, I enjoy singing along but imagine rapping “Hello Human, Ew Your Planet is Gross” as an ET.

2. Space Boss- Liquid Stranger & Space Jesus

For the second song, we hit em with Space Boss as they sore out of our atmosphere. They’d probably start rolling up right about now.

3. Mind Tricks- Bassnectar Feat. Lafa Taylor

As the space weed starts to kick in Mind Tricks by necatar will surely blast them off into another dimension.

4. Jungle Juice – Ganja White Night & Liquid Stranger

Jungle Juice by Ganja seems like the perfect theme music for dodging asteroids and mini planets while traveling at lightspeed through the asteroid belt, aka the jungle of the milky way.

5. Wubbalubbadubdub- Jade Cicada

Assuming the aliens watch interdimensional television and love Rick and Morty as much as us humans Wubbalubbadubdub by Jade Cicada will have them vibing hard.

6. Expand the Universe- Lsdream

Soaring through the expanding universe while bumping Expand the Universe is a trip in its self.

7. Maintaining it All- Tiedye Ky

Tiedye Ky’s Maintaining it All will surely get the E.T’s heads knockin.

8. Alien Technology- Shlump

Wouldn’t be surprised if Alien Technology by Shlump is already on their playlist.

9. Me and You – Champagne Drip & Lucci

Me and You by Champagne Drip & Lucci will have every alien on board lost in their feelings.

10. Mercy Falls- Charlesthefirst

As the ETs start coming down from their trip and soar through the final constellations Mercy Falls by Charlesthefirst will surely chill them out with some lo fi wubs.

Check out the playlist here!

Alien Wubs